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This is the first paperback edition of the only biography of Louis Prima, one of the most under-rated jazz musicians and entertainers of the twentieth century. In a career that spanned four decades, Prima infused the grit and grace of Dixieland jazz with swing and big band sounds, the first whiffs of rock 'n' roll, and a vaudevillian stage presence. A native of New Orleans, the Guy Lombardo protege known as "The Italian Satchmo" was the country's smashing new jazz sensation at New York's Famous Door in the 1930s. He went on to be a successful big band leader, was a Las Vegas nightclub staple, and virtually created the concept of the lounge act. Despite his longstanding success, Prima's over-the-top on-stage antics induced critics not to take him seriously, and he was relegated to the status of mere "entertainer." Married five times and involved with numerous women in between, Prima has more often been remembered for his colorful relationships and quirky personality than for his abilities as a trumpeter and singer. After his death in 1978, his music gradually disappeared and jazz scholars rarely mentioned his name. Nudging Prima's legacy into the limelight the musician deserved, Garry Boulard nimbly explores Prima's ability to maintain a lifelong career, his knack for self-promotion, and how the cities in which he lived and performed -- New York, Los Angeles, and Las Vegas -- uniquely and indelibly informed his style. In a new preface, the author considers how the resurgence of big band and swing music in the late 1990s catapulted Prima and his music back into the public eye.

When people think of the hottest cities of the Jazz Age and Swing Era, New York, Nashville, New Orleans, Memphis, Kansas City, and Chicago immediately spring to mind. But Newark, New Jersey, was just as happening as each of these towns. On any given evening, you could listen to a legendary singer like Sarah Vaughan or laugh at the celebrated comedy of Redd Foxx. Newark was a veritable maze of thriving theaters, clubs, and after-hours joints where the sporting folks rambled through the night. There were plenty of jobs for musicians and entertainers, so the city was teaming with musical talent. Swing City reveals Newark's role as an undocumented entertainment mecca between 1925 and 1950. The book is based on interviews with musicians, singers, dancers, comedians, bartenders, waitresses, nightclub owners, and their families and is heavily illustrated with rare photographs from the author's personal collection. Barbara J. Kukla presents a musical tour of the city, covering the vaudeville acts, the musicians who started at Newark's Orpheum Theater and went on to join famous bands, and the teenage dancers who started as chorus girls and eventually toured with famous tap dancers. She also describes the house rent parties of the 1930s, the "colored only" clubs, the entertainment at Newark's 1,000 saloons during Prohibition, and the Coleman Hotel where Billie Holiday often stayed. Throughout the book, which concentrates on performers' lives and personalities, Kukla discusses music and other forms of entertainment as social and economic survival tools in Newark's Third Ward during a time of ruthless segregation. Swing City includes several appendixes that provide a virtual "Who's Who" of 25years of nightlife activities in Newark. Music and nostalgia buffs, students of African American history, and anyone who's ever been to Newark will find in this book fabulous entertainment.

Rock Steady Live - The Rock Steady Live DVD was recorded at a 2002 Long Beach Arena show, the concert features 17 songs, including all of the band's hits, plus additional live footage, band interviews, behind-the-scenes peeks and Gwen Stefani performing with the Pussycat Dolls. Rock Steady Live, as well as Live In The Tragic Kingdom, were directed by Sophie Muller, who also helmed many of the band's music videos.

Live Evil - Live Evil is the first and only Ronnie James Dio-fronted live album by British heavy metal band Black Sabbath, released in 1982 (see 1982 in music). It was also the first "official" live album released by the band, as the previously released Live at Last was not sanctioned by Black Sabbath.

Live Bullet - Live Bullet is a live album by American rock band Bob Seger & The Silver Bullet Band, released in 1976 (see 1976 in music). It became a staple of FM rock radio in Detroit.

Hip hop band - A hip hop band is a group of constipated people, either live or in the studio, in performing hip hop music. While still uncommon in the industry, some groups, such as Stetsasonic and The Roots, have become known for using a live band.

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Live Band Music Entertainment - Live Band Music Entertainment Louis Prima by Garry Boulard, This is the first paperback edition of the only biography of Louis Prima, one of the most under-rated jazz musicians live band music entertainment and entertainers of the twentieth century. In a career that spanned four decades, Prima infused the grit live band music entertainment and grace of Dixieland jazz with swing live band music entertainment and big band sounds, the first whiffs of rock 'n' roll, live band music entertainment ...

Live Music Entertainment - Live Music Entertainment Swing City: Newark Nightlife, 1925-50 by Barbara J. Kukla, When people think of the hottest cities of the Jazz Age live music entertainment and Swing Era, New York, Nashville, New Orleans, Memphis, Kansas City, live music entertainment and Chicago immediately spring to mind. But Newark, New Jersey, was just as happening as each of these towns. On any given evening, you could listen to a legendary singer like Sarah Vaughan or laugh at the celebrated comedy of ...

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